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Review: Super 8
Reviews
Beowulf
Full-blown FX
By
TOM MEEK
|
November 20, 2007
BEOWULF
2.5
Stars
VIDEO: Watch the trailer for
Beowulf
.
In
Polar Express
, Robert Zemeckis unveiled “performance capture,” a nifty process that turned actors into CGI figments. In this updating of the Old English epic of devils, demons, dragons, and the title hero, Zemeckis goes one step farther, transforming his flesh-and-blood actors into full-blown FX. As Beowulf (mostly in voice), the reliable and paunchy Ray Winstone develops a digitally chiseled physique; Angelina Jolie, as the water nymph and mother of the murderous monster plaguing a Danish kingdom (Crispin Clover the perfect choice for Grendel), fares less well and seems merely colorized. All this cutting-edge techno-wizardry spawns yet another live-action graphic novel, with Beowulf a swaggering braggart doomed by hubris. Although loyal to its roots, the story, co-scripted by Roger Avary (
Pulp Fiction
), wanders into new territory after the Geat warrior slays Grendel. It drops its epic posture and spews far too many double entendres.
115 minutes | Boston Common + Fenway + Fresh Pond + Circle + Suburbs
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[
06/02
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Always, Patsy Cline
@ Ogunquit Playhouse
ARTICLES BY TOM MEEK
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| May 17, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
REVIEW: THE PIRATES! BAND OF MISFITS
| April 24, 2012
Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
REVIEW: GOD BLESS AMERICA
| April 18, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
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| March 15, 2012
Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
REVIEW: DR. SEUSS' THE LORAX
| March 01, 2012
Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.
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TOM MEEK
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