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Review: Super 8
Reviews
Live Free or Die
New Hampshire deserves better than this
By
TOM MEEK
|
March 28, 2007
LIVE FREE OR DIE
" alt="photo of 'LIVE FREE OR DIE'">
2.0
Stars
Live Free or Die
Seinfeld writers Gregg Kavet and Andy Robin conceived this project as a TV series, which is where it should have stayed. The backwoods setting and the bungling pair of Class A screw-ups call to mind Wes Anderson’s
Bottle Rocket
by way of the Anne Heche TV series
Men in Trees
. The boonies here are a working-class podunk in New Hampshire (hence the title), where going-nowhere slacker John “Rugged” Rudgate (Aaron Stanford, Pyro in the
X-Men
series) reinvents himself as a bad-ass hood. No one buys his delusional shtick except for Jeff Lagrand (Paul Schneider), an oafish fem fop who spent time in special ed — basically Kramer on valium. The George-and-Lenny tandem concoct a battery of petty get-rich schemes, all of which backfire. Along the way a few folks die “comical deaths.” None of it’s funny, and that includes Rudgate’s
My Name Is Earl
chest beating. Kevin Dunn hits the mark as the police chief; Zooey Deschanel wastes her time as Lagrand’s sister.
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Ghost hunters and God chasers
How quaintly reverent it now seems, The Blair Witch Project .
Set ’em up, knock ’em back - side
Steel, blowtorches, and a little trash talk
At the Steel Yard, arts center and business incubator for the metal-minded, a molten hot contest this past weekend. It was the second annual Iron Chef Competition -- a game pitting artist against artist, blowtorches in hand, in a breakneck race to produce the snazziest sculpture.
The Hills Have Eyes - side
The resistible rise of Andrew Fenlon
By the time I get Andrew Fenlon on the phone — two days after the airing of his now-notoriously contentious American Idol audition — the world around us has already split into three factions: those who loathe him, those who love him, and those who need a reminder: who is Andrew Fenlon?
Brian Johnson at Alisson’s Restaurant, June 27
After three full days of filming for the Travel Channel's Food Wars, the staff and supporters of Alisson's Restaurant in Kennebunkport were ready to party.
The Yacoubian Building
A massive Arabic soap opera, a Cairo-based Gone with the Wind.
Marketing magic
When you dial the Disney Channel headquarters in Burbank and ask to be transferred, the operator will cheerily instruct you to have a “magical day.”
El cantante
Unlike Lopez, he digs beneath the soap-opera dialogue and bares his character’s soul.
Playlist: July 6, 2007
The Pointer Sisters, Escape from New York , Squids, and more.
Where everything is meant to be seen
So I’ve been reading Introducing Baudrillard (Verso).
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06/02
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Always, Patsy Cline
@ Ogunquit Playhouse
ARTICLES BY TOM MEEK
REVIEW: GOD BLESS AMERICA
| May 17, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
REVIEW: THE PIRATES! BAND OF MISFITS
| April 24, 2012
Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
REVIEW: GOD BLESS AMERICA
| April 18, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
REVIEW: UNDEFEATED
| March 15, 2012
Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
REVIEW: DR. SEUSS' THE LORAX
| March 01, 2012
Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.
See all articles by:
TOM MEEK
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