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Review: Big Mommas: Like Father, Like Son
Reviews
Wild Hogs
Running on empty
By
TOM MEEK
|
February 28, 2007
WILD HOGS
" alt="photo of 'WILD HOGS'">
2.0
Stars
NO RULES: for John Travolta, Martin Lawrence, Tim Allen, and William H. Macy.
Four suburban males in the throes of midlife crisis decide the remedy is to don leather, saddle a Harley, and cruise across the county — with no rules. That’s the excuse, anyway, for John Travolta, Martin Lawrence, Tim Allen, and William H. Macy to hook up, ham it up and spark a few laughs. The four venerable actors have a good time, though their uneasy-rider shtick runs out of gas too soon and it’s up to Ray Liotta’s pissed-off biker boss (shades of Something Wild) to give the movie torque. Marisa Tomei adds some spice as the object of desire in the sleepy Southwestern sticks, and John C. McGinley is the scariest thing on the interstate as a trooper with a zest for S&M and all-male cuddle parties. But it’s a bumpy ride; TV writer Brad Copeland and director Walt Becker (Van Wilder) rev up the gags until their gears are stripped. Instead of opening up the throttle, Hogs ends up idling and spreading exhaust.
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Feel-bad cinema
This critic's been carping for decades about feel-good cinema, how lousy it makes me feel, and this year I got the misery I begged for.
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Too often those behind the slick 3-D animation spectacles aimed at children imbue them with too much adult humor.
Marilyn Hotchkiss' Ballroom Dancing and Charm School
This latest dance-as-therapy vehicle is a scattered, cliché’d look at male grief.
Edmond
If the notion of Stuart Gordon, who made the cult hit Re-Animator , directing David Mamet material sounds odd, bear in mind that Gordon cut his teeth with Mamet in the Chicago theater. Watch the trailer for Edmond (QuickTime)
Family plots
Sidney Lumet may be 83, but his new film makes Quentin Tarantino and even the Coen Brothers look geriatric.
Smokin' Aces
Perhaps Joe Carnahan pitched his follow-up to 2002’s Narc as It’s a Mad, Mad, Mad, Mad World by way of Quentin Tarantino, Guy Ritchie, and bad wigs. Watch the trailer for Smokin' Aces (QuickTime)
Autumn peeves
With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Review: Observe and Report
Jody Hill's ambiguous and unsettling film is a comedy about law enforcement in much the same way that Martin Scorsese's The King of Comedy is a comedy about comedy.
Fractured fairy tales
Times are tough when the Dream Factory has a better grip on what’s going on than the people in Washington.
Are we done yet?
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October lite
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
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ARTICLES BY TOM MEEK
REVIEW: UNDERWORLD: AWAKENING
| January 24, 2012
The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
REVIEW: JOYFUL NOISE
| January 10, 2012
There's not much joy but there's plenty of noise of the rafter-rocking gospel singing variety in Tony Graff's musical dramedy.
REVIEW: IN THE LAND OF BLOOD AND HONEY
| January 05, 2012
Jolie has loosely reworked the story of Romeo and Juliet in an infamous setting familiar from CNN but here seen from the inside.
REVIEW: ALVIN AND THE CHIPMUNKS: CHIPWRECKED
| December 13, 2011
For 50 years, Alvin and the Chipmunks have been driving parents nuts with their helium-infused banter and shrill bastardizations of pop music.
REVIEW: TRESPASS
| October 13, 2011
If Rod Lurie's errant remake of Straw Dogs didn't tickle your morbid fear of home invasion, then perhaps the latest from Joel Schumacher ( Falling Down ) might do the job.
See all articles by:
TOM MEEK
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