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Museum And Gallery

Tanja Hollander takes Facebook to the PMA

Friend quest
If you've been buzzing about "Are You Really My Friend?" the new installation of Facebook-inspired portraits by local photographer and Bakery Photo Collective founder Tanja Alexia Hollander, you're not alone.

By: NICHOLAS SCHROEDER | February 08, 2012

Cultural feedback mixes at the ICA at MECA

‘Played simultaneously’
If you can't find the link between the print archive Whole Earth Catalog exhibit and Michael Bell-Smith's installation of tech art, update your browser (haw!).

By: NICHOLAS SCHROEDER | February 01, 2012

Time travel in miniature

What the future holds — or was it the past?
Although comprised of only six photographs, "Lori Nix: The City" at the University of Maine Museum of Art is a show not to be missed.

By: BRITTA KONAU | January 25, 2012

Aucocisco shows early works from Bernard Langlais and Jean Cohen

Very fine years indeed
A long time ago in a galaxy . . . well, it was just New York and it may seem like ancient history, but it was real life and what happened is part of who we are. We do like our stories about those days, and they quickly accrete the patina, and lack of detail, of legend.

By: KEN GREENLEAF | January 18, 2012

Domestic life viewed by 17 Maine photogs

Still tales
In the theater of Maine photography, the winter exhibit assembled at the Portland Public Library might be thought of as a kitchen drama — a show that tells the rich tales of the many and diverse voices of Maine domestic living — and it deserves to be seen by all who can afford to.

By: NICHOLAS SCHROEDER | January 11, 2012

Short films take over SPACE

On gallery walls
Having screened the first of this series back in June, it's good to see evidence that SPACE Gallery plans to show the whole "Project 35" collection.

By: NICHOLAS SCHROEDER | January 04, 2012

A peek at Portland art shows in 2012

Radicals and friends
Degas and the PORTLAND MUSEUM OF ART headline the news for early next year. We're so used to Degas and his point of view it's easy to overlook what a difficult and radical artist he really was.

By: KEN GREENLEAF | December 28, 2011

Memories from a year in art shows

Fine lines
It was a year when the best shows weren't often the most memorable, and the most memorable weren't often the best.

By: NICHOLAS SCHROEDER | December 21, 2011

A year-long celebration winds down

Drawing to an end
Throughout 2011, June Fitzpatrick has done more than her share in highlighting the medium of drawing in the context of the state-wide project "Where to Draw the Line."

By: BRITTA KONAU | December 14, 2011

Chinese bronzes from thousands of years ago at Bowdoin

Alive with the past
Chinese bronzes are often felt, quite rightly, to fall within the purview of scholars and collectors who delight in detailed changes from one period or region to another.

By: KEN GREENLEAF | December 07, 2011

Friday sees a one-day-only art installation

No longer vacant
This week's Art Walk is replete with holiday shows, bazaars, and craft fairs.

By: NICHOLAS SCHROEDER | November 30, 2011

They, and Gideon Bok, are nothing but subjective

Time and perspective
Commonly artists prefer to work away from public scrutiny, shielded from revealing the awkward phases of creation, to emerge with a finished work of art that will last, if not for eternity, at least for quite a while.

By: BRITTA KONAU | November 23, 2011

Bisbee + Fensterstock work their black magic at Aucocisco

Darkness visible
The similarities between Lauren Fensterstock and John Bisbee are manifold.

By: NICHOLAS SCHROEDER | November 16, 2011

A look behind the latest Asylum mural

Writing on the wall
With a postcard replica and classic Maine lighthouse-as-spraycan motif, graffiti art has never been less offensive than now.

By: NICHOLAS SCHROEDER | November 09, 2011

The Portland Museum of Art shows an exhibit of Shaker crafting skill

Honoring simplicity
There's something fundamentally American about this very enjoyable show of Shaker work at the Portland Museum of Art.

By: KEN GREENLEAF | November 02, 2011

Photos: ''Gather Up the Pieces: The Andrews Shaker Collection'' at the Portland Museum of Art

Through February 5, 2012
The Portland Museum of Art hosts “Gather Up the Pieces: The Andrews Shaker Collection’’ through February 5, 2012.

By: PHOENIX STAFF | November 02, 2011

Intricate works on paper by one of Maine’s best abstract artists

Complete in themselves
Geometric shapes like rectangles and circles have been the formal ingredients of some of the most sophisticated abstract art.

By: BRITTA KONAU | October 26, 2011

Xander Marro takes over SPACE’s new annex

A wild imagination
From 1995 until its demolition in 2001, Fort Thunder was the core of Providence's artistic identity.

By: NICHOLAS SCHROEDER | October 19, 2011

Jan Piribek decodes and encodes landscapes at Mayo Street Arts

Facing history
Sometimes it takes an act of art to care about something you otherwise wouldn't.

By: NICHOLAS SCHROEDER | October 12, 2011

Rose Contemporary's 'Abstraction' show is more than enough

The thing itself
Abstraction is the process of moving from the particular to the general, from the thing itself to an idea about the thing that can thus be considered or communicated. All art is, in this sense, an abstraction. The soup-can painting requires no spoon.

By: KEN GREENLEAF | October 05, 2011